Hammerklavier: Revered and feared unlike almost any other work
The rising and descending scales at the end of the second subject of the slow movement are similar in character to the scales heard towards the end of the Missa Solemnis, as the words “Dona nobis pacem” (grant us peace) are sung. Ascribing adjectives to such moments exposes one to the danger of falling into the trap of cliches; but in both instances, I cannot help but think that Beethoven is describing eternity and consolation.