The Albéniz-Debussy connection

In the previous entry, I discussed the fascinating differences and similarities between Schubert’s single Diabelli variation and Beethoven’s 33 variations on Diabelli’s theme. Here I discuss another intriguing relationship between two contemporaneous works, Albéniz’s El Albaicin from the third volume of Iberia, and Debussy’s La serenade interrompue from his first volume of Preludes.  Debussy composed his first volume of Preludes […]